Various – A Heart In Splinters: More From The CAIFE Label, Quito, 1960-68


(Honest Jon’s Records) – (HJRLP85)

In stock


Impatiently returning to the golden age of Ecuadorian musica national, this second round of retrievals is more of a selectors’ affair: less reverent, more free-flowing, with more twists and turns. There is no let-up in the quality of the music, maintaining the same judicious, heart-piercing balance between emotional desolation and dignified endurance, the same bitter-sweet play between affective excess and formal sublimity.

This time around, the woman steal the show. Laura and Mercedes Suasti were child stars, with an exclusive Radio Quito contract. Unlike nearly all the men here, they lived long and prospered: Mercedes died last year, at the age of 93. Gladys Viera and Olga Gutierrez both came to Ecuador from Argentina. To start, Gladys plugged the scandalous new Monokini swimwear; Olga performed for visiting British royalty in 1962. Olga was glamorous but tough. She would make little of the amputation of one of her legs: ‘I don’t sing with my leg.’ She is accompanied on our opener by quintessentially reeling, sultry musica national: haunted-house organ, twinkling xylophone, Guillermo Rodriguez’ heart-plucking guitar-playing, and lilting, dance-to-keep-from-crying double-bass. ‘Sometimes I think that you will leave me with no memories,’ she sings, ‘that you hold only disappointments in store for me… In the future your love will search me out, full of regret. By then it will be too late, there will be no consolation, only disappointment awaiting you.’
Other highlights include the two contributions of Orquesta Nacional: Ponchito Al Hombro, like an off-the-wall forerunner of the Love Unlimited Orchestra, beamed into the tropics from an unknowable time and space; and the tone poem Atahualpa, a mystical yumbo invoking Quito’s most ancient inhabitants, the Kichwa. Also the tremulous, gypsy-flavoured violin-playing of Raul Emiliani, who arrived in Quito from Italy, suffering PTSD from the Second World War; the inscrutable, sardonic experimentalism of organist Lucho Munoz; and the mooing and whistling of Toro Barroso — cow-thief school of Lee Perry — in which a muddy bull dashes home to his darling chola, fearless, full of desire.

Lavishly presented, with a full-size, full-colour booklet, with transporting art-work and expert notes. Luminous sound, by way of Abbey Road, D&M and Pallas.

Truly spell-binding music.

Format: 12″ Vinyl
Label: Honest Jon’s Records
Catalogue Number: HJRLP85
Record Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)

No Title
A1 A Veces He Pensado
A2 Alas De Sombra
A3 Amor En Tus Ojos
A4 Mal Pago
A5 Así Se Goza
A6 Ponchito Al Hombro
B1 Vida De Mi Vida
B2 Blanco Lirio
B3 La Naranja
B4 Lindos Ojos
B5 Siendo Triste Vivo Alegre
B6 Soledad
C1 Imploracion Indigena
C2 Indio Soy
C3 Mi Ultima Ilusion
C4 Huasipichay
C5 Para Ti
C6 Despedida
C7 Lamparilla
D1 Corazón Mío (Cansados Pies)
D2 Toro Barroso
D3 Ashcu De Primo
D4 Panuelo De Penas
D5 Alma Enamorada
D6 Lamparilla
D7 Atahualpa


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